William Spear:

“If you miss in a book the dizzying romanticism and urgent vitality of say John Fowles, perhaps when you read The Magus the first time; if you love the cool sophistication and edgy wit of James Salter, or the slightly off balance, ‘is it really true’ situations Pynchon or Vonnegut ask us to believe in; if you crave the deep mysteries and stark realities that inform the lives seen by Paul Bowles, or for that matter even the plain fun and dash of Ian Flemming, then you will be swept away by Trompe l’Oeil, for that is the pack Gardner McKay is riding with in this profound fairy tale. Like no one else can, McKay really puts the fun in profundity!

The more exotic and beautiful the bird, the more lovely his song and plumage, the stronger is the world’s determination to capture and own it. In Trompe l’Oeil, Gardner McKay’s just released masterpiece we see  “the world’s greatest artist”, Simon Lister running for his life from a wide assortment of dark side deputations all competing to have their own   “painter in a cage”. If it is at one level an exciting chase, at the same time it is one of the great love stories of the age, for, at his side in this desperate life or death dash for freedom is the beautiful, mysterious and ephemeral Savoia, who is his witness and guide, who conspires and inspires and, in her way, teaches Simon, okay, I’ll say it, ‘the meaning of life’.”

Steffen and Deborah Foster:

Like discovering  a forgotten masterpiece in the attic, Trompe L’Oeil turns everyday life on its head.  Where we thought we were living a boring average existence, suddenly we are in possession of an immense treasure.  Mystery,  suspense and mastery  combine to “trick” the reader into daring to believe the unbelievable and ultimately to hope that the imagined world is the real one.

Seldom does a novel dare so much, and deliver so fully on its premise of the power of  mind over matter. Gardner McKay carves his way through the fashionistas of the Art World and delivers a clear insight into the mind of an artist. He does this at the same time as telling one of the great love stories of all time.

Trompe L’Oeil is more than a “deceiving of the eye,” it is an unrelenting exposure of the soul of man as a creator and lover.

As McKay would say of something he found to be remarkable, brilliant, new and insightful…“ yes, I think it is quite useful”.


Colby Chester:

I have just moments ago finished a book that fascinated, frustrated, aroused and amazed me. It is like nothing I have ever read, something I realize now that could only have evolved from one unfettered imagination, one remarkable mind, one monkishly-disciplined writer whose previous creations, varied and whimsical as they are, gave no hint to what he was ultimately capable of creating.

I am quite speechless. My God the man could write!


Other excerpts from readers:

If you read only the top layer of frosting of this many tiered wedding cake of a book you will surely get your money’s worth and be entertained and amused, but you will miss the great lessons in it, of which there are several. You might make the mistake of dismissing the “art crime of the century” as another superficial rant about art and money when in fact the crime of the century is really about wasting or selling our precious, one time only opportunity to participate in real life: of letting ‘them’ dictate the terms of our lives, or of giving away our most valuable treasure for the proverbial mess of potage: of not loving and appreciating life enough. When you turn the last page of Trompe l’Oeil, you will want to go out and get right at it and maybe change course if you are not on the true path. At the bottom of it, isn’t that what they say art is supposed to do? Change your life?


“If you have forgotten what it is to be in love, Gardner McKay’s wonderful masterpiece Trompe L’Oeil  will transport you right back to where you left off. His last, and surely most important book is indeed the ultimate love letter: to us, and to life itself, and he reminds us that what puts deep love at the core of an honestly and completely lived life also requires the supremely courageous and heart-breaking task it is to finally let it go.


“If you, as I often am, are a bit chary of posthumous books of writers you love, and you worry that someone has gone in and made a mess of things, don’t be. Gardner McKay wrote every word of Trompe l’Oeil, and read it out loud too in his wonderful public radio series “Stories on the Wind”. Any changes here are simply punctuation, spelling and continuity matters. All of the industrial strength McKay magic comes through perfectly.”


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